Sean Oakes

Theravada Refuge & Precepts Pūjā

Every week at Satsang, we do a short chanting ceremony called a pūjā, or devotional ritual. We chant a few ancient verses in Pāli, the language of the early Buddhist texts. These verses are excerpts from a longer  sequence of chants done daily in Theravāda monasteries, emphasizing the basic lay (non-monastic) practices of going for refuge and the five ethical precepts.

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Authentic Movement: Selective Bibliography

I assembled this bibliography in 2015 for my PhD dissertation. It’s not exhaustive, and focuses on the use of Authentic Movement both as an expressive therapeutic form and as a mystical spiritual discipline. Adler, Janet. “Who is the witness? A description of authentic movement.” 2000) Authentic (1985). Adler, Janet. “Body and soul.” American Journal of Dance Therapy 14, no. 2

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Yama and Mara: Hindu and Buddhist personifications of Death, a hypothesis

Both Buddhism and Hinduism personify Death in the form of a deity. The two traditions’ imagination around this figure naturally has many overlaps, but I’m suddenly thinking about some that I can’t find any reference to in the scholarly literature. The correspondence is about the role of Death as Teacher, as appearing in the Kaṭha Upaniṣad, and the role of Māra

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I have seen the yogi and he is us: Patañjali and the consolations of ambiguity

One of the marks of a great text seems to be that it can be deeply important to wildly different people from cultures separated from each other by vast distances of time and space. A theater company in Kolkata establishes a reputation for cutting social realism by putting on Ibsen’s A Doll’s House, while a British director in France hubristically (and with some success) attempts to stage the entire Mahabharata. A Japanese director who traces his lineage

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