One of the marks of a great text seems to be that it can be deeply important to wildly different people from cultures separated from each other by vast distances of time and space. A theater company in Kolkata establishes a reputation for cutting social realism by putting on Ibsen’s A Doll’s House, while a British director in France hubristically (and with some success) attempts to stage the entire Mahabharata. A Japanese director who traces his lineage […]